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The white coating really does soften the output noticeably — my catchlights are much more flattering now. Love that it still keeps that extra stop of power for distance.

Swapped the silver for the white interior and the difference is immediately obvious—the falloff is much smoother, and I’m gaining that extra stop without any harsh hotspots. It’s become my go-to for portrait work where I want a bigger, softer wrap.

Finally, a modifier that actually delivers on its promise of broader, softer light. I was skeptical about the one-stop gain, but the output difference was immediately noticeable in my portraits. The white coating gives a really pleasing, even wrap-around quality without any harsh hotspots.